_________________ Good deals with: 232cap, just42dave, Chris O, Wizzard of Ozz, roodboy, MYLILSS, BerkleeBill, SLOgriff, RSRD, glip22, Johnny LaRue, IntrepidCellist, bobbtoz, squank, 50MkII, bwgintegra, joafink2, sunder, Braciola, Walnuts, eddyrox, RJF, LP Freak, tiardi, BlackRose, tlingen, marl3y, Gsxrbusa, EWSEthan, XSSIVE, threemounts_1, jordanky, Pbfoot, 6CA7, dooredge, jharpersj, warhead78, TheMagicEight, parntz145, boneyard, chumbucket, JerEvil, NewWorldMan, John4021, RandyVanMartini, Snave, espquade, yngwiestrat, Rick Lee, Racerxrated. Are they point to point like the old 800's? More like a hot rodded JTM45 Here's the way Steve Dawson. The amp's designer puts it Quote: 'The Vintage Modern is basically a JTM45 with some hot rodding. For a JTM 45 tone select the low dynamic range, master volume on full, mid boost out, Detail at 2 -4 o'clock. Body at 1 - 3 o'clock and then dime the tones. This should be very close. The vintage Modern is essentially a Plexi with some bells and whistles. Its foundation is the 'JTM 45 Super 100's' as championed by Hendrix, Clapton in Cream and several others.' Are they point to point like the old 800's? More like a hot rodded JTM45 Here's the way Steve Dawson. The amp's designer puts it Quote: 'The Vintage Modern is basically a JTM45 with some hot rodding. For a JTM 45 tone select the low dynamic range, master volume on full, mid boost out, Detail at 2 -4 o'clock. Body at 1 - 3 o'clock and then dime the tones. This should be very close. The vintage Modern is essentially a Plexi with some bells and whistles. Its foundation is the 'JTM 45 Super 100's' as championed by Hendrix, Clapton in Cream and several others.' -SteveD no marketing bullshit in his words those were my exact thoughts when I first saw the schematic basically a jtm45 with switchable extra gain states and a post phase inverter master volume I bet it would have sold a lot more if it had the classic headshell people are resistant to relate things if they look different. I remember playing some that rocked and sounded nice even at quiet volume levels, then I played a few others that lacked gain and tone. I guess it's hit or miss. I see these cheap used and I always wanna give one a try. I bought a 2007 2266 head (50w) on ebay 2 months ago. I've played it through my Marshall 1960B 4x12 with Vintage 30's, and my Avatar 2x12 with one V30 and one G12H30. It's a shame to see Marshall cross another uk made model off their list, soon there will be hardly many uk made models left. +1 I wanted to push it off to the tubes used on the floor models. Even with volume behind the vintage modern that i had access to i could not get it to really stand out like some of the videos you see without a boost. I have limited time on them though so i cant/wont make first impressions as a judgement to all of them but i do like the tone that some seem to be capable of. It has come to my attention that the Marshall Vintage Modern is no longer in production. ![]() I know some didn't like this model very much but I love it!!!! I haven't plugged mine in for a long time becuase I have been using my FJA 5150. Well I plugged into the Marshall today and was immediately reminded of why Marshall amps are so great. The super crunchy midrange. I decided to make a non weedly weeeee video of my Vintage Modern. Just a few of my favorite riffs. Cool amps indeed, sold the one i had, (an 83 JCM800 was more my cup of tea as it were), out of the various videos i've seen the one you have seems to sound the most appealing to me i'd love to try it again through my greenback cab, was rocking a v30 4x12 back then, a bit too spiky for my liking. Client-server software engineering. As for design, there is little on software architecture (quite rightly in my opinion, given the introductory nature of the book) and object-oriented design patterns. The chapter on configuration management is, as most general books on software engineering, long on definitions (and in this chapter is where the authors most rework terminology) and short on practice. The impedance problem beween object-oriented software and (relational) database management systems is touched upon and skirted around in a very practical way. It briefly introduces U2TP, a UML profile for testing, that does not add much value in such an introductory course, and does not even mention random testing techniques (for an excellent introduction to such techniques see John Regehr and Sean Bennet´s e-course on testing at ), while its section on automated testing focuses on JUnit, a unit testing tool, leaving out other important tools. The chapter on testing is barely adequate for an introductory course and rather confusingly, rewords some key definitions, such as that of structural testing, several times, shifting their meaning as the authors attempt to distinguish between different categories of (overlapping) categories such as structural and system testing. _________________ Race Too much gear, getting there on the talent. ----------------------- Good deals with: JB6464, tom_h, mechanyx, bubbastain, jid, splawner, studio289, jmgman69 (x2), santellavision1, oldmanmetal, Scuba200ft, bognerluv, the4thlast1, 232cap, hthomas, Fretburner, PaulyPanacea, drewiv, gbsmusic, retrojet, Docster, Spaceboy, crwnedblasphemy, tonmazz, rezamatix, londaxe, just42dave (x3), mystidream Play it cuz you love it!!! My Recommendations ------------------------------------------------------------------------------------------------------------------ Splawn Amplification -- Awesome Modded Marshall Tones -- Jet City Amplification -- Awesome Soldano Tones -- WhiteBox Quality Guitar Cabinets -- Well-built USA Cabinets.
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